Bach Bibliography Search Result - Ordered Chronologically

Author : Talbot, Michael

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Talbot, Michael:   The Concerto Allegro in the Early Eighteenth Century. MLetters 52/1, 2 (Jan; Apr 1971), 8-18; 159-172
	2.	Talbot, Michael:   A Vivaldi Sonata with obbligato Organ in Dresden. OrganYb 12 (1981), 81-103
	3.	Fanna, Antonio; Talbot, Michael (eds.):   Vivaldi vero e falso: Problemi di attribuzione. StudiMVenetaQuadVivaldi 7 (1992), 192p
	4.	Talbot, Michael:   A Further Borrowing from Albinoni: The C Major Fugue BWV 946. [cr]Rostock1990 (1995), 142-161
	5.	Talbot, Michael:   Die italienische weltliche Kantate. [ce]WeltBachKantaten 2 (1997), 33-48
	6.	Talbot, Michael:   De Italiaanse wereldlijke cantate. [ce]WereldBachCantates 2 (1997), 32-47
	7.	Talbot, Michael:   Purpose and peculiarities of the Brandenburg Concertos. [p]BCB_Exeter (Jul 1998)
	8.	Talbot, Michael:   Purpose and Peculiarities of the Brandenburg Concertos [p]BS_Dortmund (Jan 1998)
	9.	Talbot, Michael:   Purpose and Peculiarities of the Brandenburg Concertos. DortmundBachF 2 (1999), 255-289
	10.	Talbot, Michael:   Itariago no Sezoku Kantata. [ce]BachKantataNoSekai 2 (2002), 53-78
	11.	Talbot, Michael:   Wenzel von Morzin as a Patron of Antonio Vivaldi. FaschSt 9 (2003), 67-76
	12.	Talbot, Michael:   Die italienische weltliche Kantate. HandbMlGattungen 17/2 (2010), 25-32
	13.	Talbot, Michael:   Die Violine als Imitator anderer Instrumente in der Musik von Antonio Vivaldi und Tomaso Albinoni. TelemannKonfBer 15 (2010), 56-69